Starting with Intermezzo, Strauss’s autobiographical comedy-with-feeling, neglected for years after its Dresden premiere in 1924 and still not favoured with a London production, has a novelty value ...
Richard Strauss’ “Bourgeois comedy with musical interludes” has never been a staple of the repertoire in the same way as most of his other operas, but Bruno Ravella’s beautiful production for ...
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